ALYTUS PSYCHIC STRIKE BIENNIAL #8: SA(N)CABA (SITUGEOGRAPHIC QUANTUMPILGRIMAGE FROM BOTOSANI TO ALINJA) AUGUST 10-31, 2019

ATTACK WHITE SUPREMACIST CULTURE!                                                    FIND AND AMPLIFY THE VOICES OF
REPRODUCTIVE, PRODUCTIVE AND DESTRUCTIVE WORKERS WHO ARE NOT IN UNIONS OR COUNCILS!           

ALL (IN)ORGANIC COMRADES UNITE!                                                                                            GAME THE SYSTEM!

ABRACADABRA-C  (Alytus Biennial Reversion into Abolition of Culture And Distribution of its Aberrant Bacillus Right Abroad – Committee)

ÐعM提п (former DAMTP - the DaðA Miners and Travailleuse Psychique) - workers union to disrupt the creation of cultural capital through regional and a national language

NEWS/NAUJIENOS

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euphratusswimming

After seemed already lost from the sight the beginnings of the Euphrates river, ABRACADABRA-C decided to stop by the first water basin appeared in a walking distance from the road to Erzurum. It was Tercan Dam on the Tuzla River, which is one of the two sources for Euphrates. Peregrines went to swim into the silent waters, which according to the different confessions either come from Paradise or stream to it.

As everybody got to know that Alytus Psychic Strike Biennial started from a moment when Stewart Home jumped into a pond during Art Strike Biennial in Alytus in 2PC and since then swimming is essential to any psychic striking praxis. Following that great tradition peregrines did a multitude of swimming events on their peregrination around Black Sea.

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lettristyogaturkey

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It was predicted to have an autoritaticidal or un-winning or unwinding 3SF World Cup in Hattusa. That was initiated by DAMTP’s wish to supersede Alytus Psychic Strike Biennial organization by empowering more of self-organization instead. Hattusa seemed to be perfect because of involvement into the oldest recorded facts of regicide (Mursili I was executed by his own soldiers in 1526 BC) and peace making (Hatushili III signed a Peace Treaty with Ramses II in 1269 BC).

Peregrine DAMTPs entered Boğazkale (Turkish name for Hattusa) and were stopped by a man who later appeared to be a mayor of the town. He asked to enter the house he was standing by. There was a place for community meetings and improvised shop selling handcrafted souvenirs made by local Kurdish women co-operative. After getting drained of some Turkish liras and showing solidarity to women co-operation psychic workers got escorted by the mayor himself to Yazilikaya Temple were they got some dinner as well. While waiting for the food workers got tempted by the sellers of the handcrafted replicas of Hittites sculptural figures carved in the stone, which in original view possible to see just few meters away from selling table. There on the wall just opposite to the main façade is depicted the King Tudhaliya IV holding a rod in a way 3SF players did in Kaliakra transmitters’ place. The temple is a place to see Hittite practise of assimilating other cultures' gods into their own pantheon – at the same ease as the Kurdish guy was handcrafting its replicas to be sold as souvenirs. After coming back from the Temple he met DAMTP’s again and offered the same items for a half price.

The next stop for peregrines was to go back to Hattusa – the remnants of capital of the Hittite Empire in the late Bronze Age. It was an hour remaining until it gets dark and a half an hour remaining until this open-air museum closes. Originally at least six gates let people enter the interior of the city, but now just 3 of them are remaining: The Lion gate, The Sphinx Gate and The King’s Gate. 3SF version with 6 goalposts yet to be reinvented.

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It was hard to find space, time and class to do a world cup in Cappadocia. Two-dimensionality of the screen-like surrounding corrupted the minds of peregrines. Carrying a ball through all those tourist places gave a single remind that there is something to be done besides making countless photos and having very rough contact with the workers around: exchange of swear words with a guy used to cash-in from everybody proceeding to upper part of Göreme Sunset Point, or being upset by the offer to get out of the family photo still of somebodies. The contact to psychic workers happens with some footballers, who were very pleasant to swap few ball kicks, and then both sides rushed to join their run-away groups in making hundreds of snapshots, which are done every day in thousands. Therefore, it was the place where Cappadocian Fathers were used to play 3 sided football as combination of Action, rhetoric and thinking in circa 340AD through 380AD. Besides and during the playing they developed the doctrine of the divinity and personality of the Holy Spirit, which had reached substantially its current form, and also they did much in applying it to the human being.
CappadokiaKaymakli

Eventually DAMTP’s got to Kaymakli Underground City, which is turned into a kind of attraction park with guided tours. But the structure of this arrangement is confusing enough. It takes some time to find a ball if one kicks it into some hole, because any linear logic here doesn’t work. The structure of the 3SF was based on unpredictability of the ball trajectory and/or the location of any of players. Ball as well as players appears unpredictably in some upper or lower locations and then disappears again. In the beginning psychic workers tried to define the goalposts, but later-on any hole in a wall, ground or ceiling became the beginning of the endless syzygy of the goalposts in a row or quantum tunnelling as dreamed by FIASCO.

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Tuz Gölü Salt Lake was discovered accidentally on the way to Cappadokia – fellow peregrines wanted to swim in a lake. When seeing a lake, the driver (being himself a psychic worker and “double agent”) immediately turned out of the road and stopped by. There was no water in this lake – just salt as far one can see. The psychic workers linked it to a salty mountain in Lopătari.

DAMTP’s did a set-up of the hexagonal pitch and were ready to do routine 3SF World Cup. Bigger part of the game was proceeding beyond the pitch in the endless latitudes of unspoiled space – the gusts wind rolled a ball in a speed equal psychic worker’s average running speed. Player, tired from gaining the ball outside the pitch, takes a rest while playing inside the pitch. Then next run beyond the spot and so again and again…

One camera while recording the game fall down and got unrepairable damaged. The camera was owned by the worker who noticed the lake first.

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sapoca2
Visada netikėta kokioje nors šalyje atrasti miestelį, kurio pavadinimas primena artimo bičiulio pavardę. Panašiai atsitiko ir su Sapokos miesteliu, kurio pavadinimas mielai priminė Kęstučio Šapokos pavardę. Miestelį žemėlapyje netikėtai pastebėjo psichoproletariniai piligrimai, kuomet žymėjosi kelionės per Rumuniją maršrutą. Miestelis kaip miestelis – nieko ypatinga, bet pagrindinis objektas, kurį žino kiekvienas rumunas, - tai didžiausia visoje šalyje psichiatrinė ligoninė. Ji buvo įsteigta 1960 m. pastatuose, kuriuose iki tol buvo amatų mokykla. Įvertinus, kad regionas aplink Sapoka miestelį – t. y. Buzau apskritis bei su ja besiribojanti pietų Transilvanija – bene labiausiai proletarinis savo socialine sudėtimi. Labai didelis procentas gyventojų vyrų – kalnakasiai. Būtent šios socialinės grupės atstovai buvo pastebimiausi savo saviorganizaciniais gebėjimais ir streikais per visą XX a., o ypatingai vadinamuoju pokariniu valstybinio totalitarinio komunizmo laikais: kalnakasiai iš Džiu slėnio bei Brasovo darbininkai organizavo didžiausius streikus po 1970 metų. Nenuostabu, kad būtent šio regiono darbininkai buvo labiausiai kriminalizuojami, o ir minėtos psichiatrinės ligoninės kontingentas buvo ir tebėra išskirtinai proletarinis. Simptomiška, kad amatų mokykla, kurios patalpose buvo įkurta ligoninė, nebuvo pakankama priemonė atitraukti darbininkų klasės jaunimą nuo pasipriešinimo kovų. Taigi, psichiatrinė ligoninė neabejotinai skirta darbo klasės socialiniam sluoksniui, ir šis faktas leidžia abejoti vis dar eskaluojamu Rytų Europos stereotipu, kad psichiatrinės ligoninės šiose šalyse buvo įrankiu, nukreiptu prieš intelektualų rezistenciją, kurią savo ruožtu rėmė vakarų antikomunistinis ir lygiai taip pat antiproletarinis liberalizmas. Sapokos ligoninės faktas rodo, kad tokio tipo ligoninės iš tiesų buvo nukreiptos prieš darbininkų saviorganizaciją.

Bet kuo čia dėtas šiandienos Lietuvos meno pasaulio transsisteminis kritikas Kęstutis Šapoka? Ogi tiesiog dėl virtinės atsitiktinių sutapimų. Pradėsime nuo K. Šapokos disertacijos, paskirtos psichiatrijos specialistų pacientų taip vadinamai meninei veiklai tirti ir analizuoti. 1 PC (pasen. 2008 m.) balandžio 11 d. jis apgynė Lietuvos Respublikos menotyros mokslų daktaro disertaciją „Dailės terapija kaip integrali sistema: kontekstuali analizė“. Svarbu ir tai, kad K. Šapoka save priskiria psichodarbininkų judėjimui ir tik po ilgų dvejojimų jis apsisprendė visgi nevykti į 12 proletarinio kalendoriaus metų (pasen. 2019 m.) rugpjūčio mėnesį vykusią psichopiligriminę kelionę, kurios planavimo metu ir buvo atrasti šiame straipsnyje aptariami fatališki atsitiktinumai. Netikėtumai nesibaigė ir psichodarbininkams atvykus į Sapoką – psichiatrinės ligoninės uždarajame kieme stovėjo brutalistinės (art brut) stilistikos artefaktas – biustas, kurio veido bruožai švelniai priminė Kęstučio fizionomiją. Tūlas letristas čia pasakytų, kad pagal pirmąjį ir vienintelį pareidolijos dėsnį kiekvienas laisvas atpažinti savo svajonėse užgimusią raidę. Solidarizuodamiesi su kolega psichodarbininkai iš ABRACADABRA (Alytus Biennial Reversion into Abolition of Culture And Distribution of its Aberrant Bacillus Right Abroad – Committee), FIASCO (Federation Internationale Autonome des Situationnistes Contemporaine), NXTPA (Naye iXperamants in Tryolektix aun Psikhish Arbet) ir SOF (Siblings Of Fazlallah) padalinių bei Dvigubų agentų internacionalas DAI bendromis pastangomis šiek tiek pakoregavo Sapokos pavadinimą psichiatrinės ligoninės iškaboje – sukonstravo raidę Š vietoj buvusios S.

Iš tiesų piligrimai planavo surengti psichodelinį pasaulio trišalio futbolo čempionatą Sapokoje, bet kelionės pradžia pasižymėjo daugiau stichiškais veiksmais, ir dalyviams pritrūko tiek psich(olog)inio pasirengimo, tiek klasinės savimonės, tiek saviorganizacijos. Pati psichiatrinės ligoninės administracija buvo nepasiekiama, nors jautėsi, kad jie stebi, kas vyksta. Miestelis irgi buvo tarsi iššluotas – tik du prekiautojai stovėjo prie didelio arbūzų kalno. Nė karto kamuolio taip ir nepaspyrę piligrimai visgi užkalbino bent jau prekiautojus, prabarbeno kelis tuzinus arbūzų, kelis nusipirko, ir tai buvo proga bent šiuos paridenti Sapokos šalikelėje. Galbūt dėl šių priežasčių planuota psichodelinio trišališkumo situacija susikonstravo pati: lygiai po savaitės, sekmadienio ryte, rugpjūčio 18 dieną, mosuodamas lašelinės infuzijos stovu 38 metų amžiaus pacientas minėtoje Sapokos psichiatrinėje ligoninėje užpuolė kitus pacientus. Nenuostabu, kad jis tai darė identiškai, kaip psichodarbininkai ankstesnėse Alytaus psichostreiko bienalės renginiuose panašius įrankius naudodavo gyvybinės energijos siurbimui iš debesų pagal Wilhelmo Reicho orgono patrankos pritaikymo principus. Deja, šis atvejis baigėsi liūdnai: penki užmušti, ir dar aštuoni sužeisti žmonės. Visi jie – pacientai. Rumunijos sveikatos ministrė iškart po incidento viešai pareiškė, kad tai atsitiko dėl „virtinės atsitiktinai supuolusių žmogiškojo faktoriaus klaidų“, ir kad to buvo galima išvengti. Ji įvardino, kad infuzijos stovas neturėjo būti paliktas palatoje, ir kad ligoninės personalas lemtingąją naktį sulaukė dar vieno paciento „alkoholiko“, kurį dėl sunkiai paaiškinamų priežasčių paguldė į tą pačią lovą su būsimuoju užpuoliku... nors ligoninėje dar buvo ir laisvų lovų... Ir dar viena detalė – užpuolikui iš vakaro turėjo būti skirti raminamieji vaistai, apie kuriuos nebuvo įrašyta išduotų vaistų kortelėje, nors seselė teigė, kad pacientas juos gavo.

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While wandering through downtown of Kütahya, which is grimy and old-fashioned, but at the same time reveals current Erdogan’s “Ottomania” trend, which the largest impact obtained since 2007 – the date of the End of the Age of Divinity. ABRACADBRA-C collected some colour pics from the buildings which in a final set looks like this:

 kutachiacolours

This was a largest amount and widest scale of urban colours in one territory during the whole DAMTP peregrination.

Multiple degrees of Ottomanism, alongside multiple versions of Fatih, persist in the JDP’s contemporary rhetoric. There is a more radical version, with Fatih implicitly cursing Ataturk and 1453 replacing 1923 as the symbolic foundation date of the Turkish state. But there is also a more mainstream narrative in which Fatih and Ataturk remain enshrined together alongside the dates of their triumphs. After 2007 in the government’s enthusiasm for Ottoman history, classic components of Ataturk’s nationalist historiography have been increasingly “Ottomanized.” Just as Kemalists celebrated elements of Ottoman history by simply calling them Turkish, the JDP has stylistically and rhetorically incorporated references to the Seljuks, and even the Central Asian Turks, into their Ottoman- centered history. Thus Erdogan’s Ottoman- revival architecture has drawn heavily on pre-Ottoman Seljuk elements. Colour included.

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felicity
Heartly felicitations from Felicity Party’s accidental catch-ups while unaware of it in Fatih!

20th century was a century of capitalism of spectacle. In the 21st it turned itself into animation. Somebody still have difficulties to discern between animism and animation – it differs not less than canal and canalization, living and non-living. Especially in photos both cases look indiscernible.

Once absorbed into the “chronopolitics” of the secular West, colonized space cannot reclaim autonomy and seclusion; once dragged out of their precolonial space, the indigenes of the peripheries have to deal with knowledge of the outside world, irrespective of their own wishes and inclinations. That’s what peregrines are for.

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Istanbul (Constantinople) is an intersection point of many approaches, ideologies, paths, religions – all space, time and class divisions and/or multiplications.

If to compare Maciunas made route for FLUXUS pilgrimage “to the Holly Land and Europe” in 70’s, the only intersection point with nowadays DAMTP peregrination route is exactly Istanbul.

The game played in Taksim square in September, 2013 is an exceptional because of being included into s. c. “historical developments” of 3SF in references from the side of DAMTP’s and from the side of “reactionaries” too.

Today Taksim square is divided by half and one side is filled with police cars and officials. Another part of the square – at least how DAMTP’s found it on August 17th, 12PC night – is out of people. But peregrines met 3 dogs, which kindly agreed to join in 3SF [Animist] World Cup. The dogs were accepted each to a different team, but eventually they formed temporary independent animist-nationalist faction and played their own football instead. One moment a light-brownish dog when running with ball stuck in his teeth suddenly stopped, put the ball down, straightened his head up and screamed: “this is a revolution! Animist revolution!” And there came off the ball another one pentagon patch depicting Welsh again.


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edirne
There was a DAMTP dispute in Raiziai due to the limits of respect towards the ones who believe – that echoed in peregrines’ decision not to play 3SF in front of Üç Şerefeli Mosque in Edirne, were “Certain accursed ones of no significance“ (i.e. hurufis) were burnt to death sometime from 1369 to 1453 when Edirne was capital of the Ottoman Empire.

That was Very Slow Tai Chi 3SF World Cup – as slow as clouds are moving in the sky in a windless day. The event welcomed a psychic presence of LPA and Robert Lee.

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arkutino
It was intended to have this tournament for a Full Moon on August 15th. But psychic workers peregrines got to Bulgaria too late so there was no chance to attend Arkutino for the time appointed and then the decision was made to postpone the game in Arkutino for August 29th – on the way back from Alinja to Bucharest.

On August 29th DAMTP’s parked their cars at hotel “Arkutino Family Resort” and took the path on the left (when facing the sea). They passed a small house, turned left, climbed some concrete stairs, went through some gate and got to the concrete constructions of unfinished building where supposed to be a school of arts for gifted children. In the 1970s that was the mostly ambitious initiative by Lyudmila Todorova Zhivkova, daughter of Bulgaria’s socialist leader. She was obsessed with founding the art education center in Arkutino, which would house gifted children from countries around the world. After unexpected death of Lyudmila’s in 1981 her father, Prime Minister Todor Zhivkov, set out to honour her wish. He began construction of the massive complex in 1985, but in 1989 as Soviet Block crumbled the project was halted. It’s symptomatic that exactly the same years and similar circumstances accompany appearing of Alytus Art School (Lithuania), which was founded by local communist party leader (to have place for art education for his daughters). The Art School for Alytus was designed in 1980 and the beginning of the construction took on 1985. It was finished in 1986 – before the 1989 – and so avoided the same fate as Arkutino’s.

Art education in the Soviet Block countries was part of the ideology and was equally accessible to all classes of the society. It’s important to note that there was not only “socialist realism” what dominated those schools, but were fully tolerated also modernism and nationalist tendencies. The first blast onto socialization of the arts appeared in early 90’s – the most of the art schools were left for a gradual extinction with exception of the elitist ones – those were redesigned for the higher class off-springs.

Art in the soviet times was understood very much as labour, but artists themselves hold attitudes of very much counter-working-class – as they called themselves being “intelligentsia”. In Lithuania the pro-bourgeoisie nationalist movements in the late 80’s appeared mostly in the art schools. The biggest shift happens in arts in 90’s – art ceased to be a labour, and artists started to obtain entrepreneurship shape. What happen to those schools then? There is a joke which well illustrates the answer: the art schools were founded by communist functionaries; it became a shelter for conservative artists and their students got fully prepared to fit liberalism. What is still living in those schools – that the meaning there is still created by physical destruction of the resources instead of just consuming fashionable terms and concepts.

DAMTP’s finally arranged the 3SF World Cup of unrealized possibilities by kicking ball into building construction’s to-be-windows holes. The world cup ended without any goal conceded. The formulation of the goal was too high to be achieved. After the game everybody jumped into the Black Sea lagoon to swim.

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kaliakra
The Kaliakra transmitter build in 1988 – was intended to act as a relay transmitter for Southeast Europe, but construction stopped a year later after the collapse of communism. At that time, nine of the ten planned masts had been completed. For a long time they stood unused but just before arriving DAMTP’s it got demolished. And so the whole sea of 3sf pitches floating in the air got erased from physical and psychic access. But it is still the place to launch the (c)overt energy weapon harassment of the aposTATEs. DAMTP peregrines spend some time to find the concrete places and basements the pillars were mounted on. The concrete arrangements for the fixing of the strains were still present and marked perfect circles around each pillar’s basement. Those were the perfect pitches for the 3SF World Cup.

While wondering around in the field where radio transmitting station was located 9 workers succeed to find 9 electrical ceramic rods. When the game was played each the player was holding a rod in her/his hand. Every goal was met with the contacting the rods and the game ended with the psychic energy shortcut when all the rods of all players got connected.

Almost at the same time in London some 3SF reactionaries got tempted to accept invitation from Tate Modern to exhibit (i.e. bourgeoisify) the great tool for construction of the revolutionary situation. And they did when the ones able to protest this mockery will be on peregrination. Psychic attack of 3SF Kaliakra transmission was directed towards Tate’s colonialist approach and corruption of 3SF descendants. The miserable fetishes collected by those clowns for the exhibition at Tate’s were eventually stolen by suddenly enlightened kids. In London nobody knew were the enlightenment came from.

There in Kaliakra came off the ball a pentagon patch for Welsh.


classpaperseeding

One of the transmission rods was used later on the same day - few copies of DAMTP paper issue No.19 were wrapped on and thrown into the location which coordinates are 43°15’26.6”N and 27°54’36.2”E. Just because it contained some matters which could bring into additional danger to peregrines when entering Turkey.

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venus

Sculptor and gallerist Howard McCalebb some years ago had an idea to join forces of fellow artists and to buy property located on a border of Saturn and Venus towns is adjacent to the freshwater Lake Razelm and a public park – and is a 4-minute walk to the Black Sea Coast, which is one of the best large natural beaches on the Romanian seaside. His dream was to have a Razelm Contemporary Art Center and Venus Biennial in former Razelm Convention Center, abandoned since Ceaușescu times broke. This was a utopian idea of paradise for artists willing to have an alternative to Venice biennial of corrupted psychic activities. And it doesn’t fulfil because majority of artists are not the ones to invest into dreams.

But psychic workers in contrast to bourgeois artists sometimes do invest into failed dreams. DAMTP peregrines attended the site, wandered inside the building, their eyes followed the climbing grass route through the ceiling and held a conventional 3SF World Cup as it was announced in advance. Every player got much of dust and sand into the lungs, mouth, and (h)ear.

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vaslui

Before arriving to Vaslui some DAMTPs had a wish to meet Laurențiu Ginghină, who got some fame from a recent movie, telling a story how non-aggressive form of off-football was invented. Inventor himself called it Infinite Football. So far none from DAMTP‘s succeed to contact the inventor nor [probably] even tried. So the arriving into Vaslui was not accompanied with any pre-planned actions: the promise of the concept of Infinite Football already gave some expectations that there is enough to kick a ball and things will develop themselves. DAMTPs arrived into town in the morning of the working day, enjoyed everydayness of the traffic jam, hardly but eventually got parked the cars and walked all the road along the town watching for any situation to kick a ball into. There they found a stadium and down leading stairs to its entrance. This was a pitch with slight allusion to Odessa steps from Eisenstein’s movie. DAMTP’s did a game, Ginghină did not appeared, so psychic workers choose more revolutionary movie instead. And it revealed that Eisenstein’s notorious principles for film editing and montage in fact are based on triolectics and lettrism.

Marxist Eisenstein saw montage as a process which operated in the same way as a Marxist dialectic - which is a way of looking at the course of history as the perpetual conflict in which a thesis or force collides with an anti-thesis or counterforce to create a new phenomenon called a synthesis.
vasluieisenstein

DAMTP triolectic provides 3 conflict situations instead of one in hegelist-marxist binarist thinking and ensures one conflict perpetually present.
vasluieisenstein1

Eisenstein saw the collision of a one shot or montage cell with another as creating conflict that produced a new idea. This new idea would become it’s own thesis and collide with another anti-thesis (or not necessary) creating yet another synthesis, which is not a synthesis anymore but a new idea. Again and again these dialectics build up in a film like a series of controlled explosions in an internal combustion engine, driving the film forward. In a very similar way it happens with the DAMTP self-organization – it was a triolectical game to reveal that its engine works.

On the subject of editing Eisenstein lists methods of montage or how these collisions between shots can be created each one building up in complexity. “Still is not a letter, but a hieroglyph rather” - Eisenstein used to say, and that is very close to the lettrist concept.

Space montage based on approximately equal possibilities to each team to concede a goal by summing up all (dis)advantages: for Vaslui there were staircase steps, handrail structures.

Time montage or Rhythmic – rotation principle, ball bumping down the stairs.

Class (Eisenstein called it dialectical) montage - creates relationships and self-organization between opposing visually-intellectual concepts. Eisenstein succeed to supersede the bourgeois style of continuity of “understandable” space and time as promoted by Griffith, but have reduced it to mere ideology (abstraction) and manipulation (symbolism). Class is neither abstraction nor symbolism.

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botosanicard

It was the place, where Isidore Isou (born Goldstein) was born in on 29 January 1925 and there he had the series of revelations that would become lettrism.

Le 19 mars 1942, un Roumain de 17 ans, Isidore Isou, a une révélation en lisant la phrase de Hermann von Keyserling, "le poète dilate les vocables", qu'il a comprise de travers, vocable en roumain voulant dire "voyelle". Isou lit: "le poète dilate les voyelles", il s'en enchante et crée le lettrisme.

The lettrism was born out of mistake and that mistake was made in Botoșani. Latter with the help of Italian modernist poet and then fascist Giuseppe Ungaretti’s connections lettrism was incorporated into French colonialist culture and degenerated into avant-garde art. Therefore, Botoșani is the starting position for psychic workers’ peregrination in search for lettrist revelations not yet spoiled with avant-garde or art package. And so backwards to the last dream of Fazlallah Astarabadi before his execution in Alinja in 1394.

August 13, 12PC (vulg. 2019) approximately at 10AM part of the DAMTP peregrines decided to investigate the historically Jewish part of the town: first slammed the locked door of Jewish community centre, then inquired about Isidore Isou at the local tourist information centre, where nobody hear about him at all, and then strayed to the historical centre of Botoșani, where occasionally they found hundreds of bits of finely chopped cards. Being activists of post-surrealist urban poker workers from SOF and FIASCO carefully collected all the bits into plastic bags. Some bits, which hardly could be used for urban poker game, later were splashed and sticked onto the Botoșani-Alinja peregrination rout marking map so creating unexplainable marks for future investigations. That was the moment when the peregrination started – the first revelation happens.

At noon DAMTP peregrines (Double Agents International (DAI), NoMA, FIASCO, SOF and ABRACADABRA-C) joined together for lettrist yoga exercises in the main Botoșani city square so preparing for the meeting Dead Jewish Workers at 3SF world cup in Old Jewish Cemetery in Botoșani at 25 Independentei St. DAMTP’s did not succeed to enter the cemetery just because it was fenced to prevent public entrance and gawping. There was a need of efforts to view the location through the holes in the fence or by climbing to have an eye above the top of the fence: there were left very few gravestones in a grass overgrown territory which seemed was not stepped by human foot for many years.

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sfgeorge

The event was not scheduled in advance and arranged in situ with the task to reproletarize local art gallerists, which were friends to one of DAMTPs who is still concerning himself to be a double agent due to class consciousness. The pitch, framed by the evenly planted trees and so being perfect for 3SF, was found in the park near-by the central city square.

All players agreed on continuous improvement of the rules during the game. First was played a routine game so everybody got into the basics of 3SF, and then the World Cup started to take shape in: first third of the game was agreed to be played without running (i.e. walking, i.e. one leg of the player should be in touch with the ground). Penalty for running was to stay frozen in one place for upcoming few minutes (nobody took care of the penalty duration). Second third was played by players standing in a chosen place in a pitch. The penalty for any relocation of the body in the pitch was to continue the game in a sitting position. In the moment when ball leaves the pitch there were two options: either to ask for spectators or passers-by to pass a ball, or to go for the ball her/him-self so getting penalty to sit-in for the rest of the time. The result was that passers-by and spectators got much more active than the players. The third part of the game was played by all players sitting inside the pitch. The penalty for standing up or relocation of the body into another place was to lay-in. The highlight of the game was founding out that throwing a shoe to hit a ball could be a substitute for kicking. Game ended when all players were laying down, shoes were thrown around and passers-by walking around, kicking a ball.
sfgeorge1

The scheduled Animist World Cup by the lake Sfânta Ana was cancelled because DAMTPs got too late to the place. And so far grizzlies team came in time they didn’t wait for humanoids - they left location by winning event before DAMTPs to appear, and technical defeat for all humanoid 3SF teams was credited 0 by 0 by 20. It means that the next 3SF World Cup to happen not in London, but in a deep Transylvanian forest with attendance only those humanoid teams to be controlled by wild animals. The message to DAMTPs was delivered by the visiting tourists who succeed to record grizzlies team announcement. Instead peregrines did a swimming in the lake as striking biennial practice as introduced by Stewart Home already during Art Strike Biennial in Alytus in 2PC (vulg. 2009). Especially that the swimming in the lake was forbidden.

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  1. CAVES IN BUZAU MOUNTAINS: AUGUST 11
  2. LOPĂTARI GUSTOCEPTIVE PSYCHIC STRIKE BIENNIAL: AUGUST 10-27, 12PC
  3. BERCA MUD VOLCANOES ANIMIST 3SF WORLD CUP: AUGUST 10th, 12PC
  4. SĂPOCA: AUGUST 10-18, 12PC
  5. They Think it’s All Over... It is Then!
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